The Artist Corner

Fabricated Nations

Video/Animation

In a world governed by code and autonomous bias, Fabricated Nations captures the slow unraveling of shared truth and institutional trust. From a room that represents humans sending inquiries into machines to a swirling sphere of autonomous agents rewriting the narrative, the artwork navigates the breakdown of reality in an autonomous future. It questions the authenticity of information, the manipulation of collective bias, and the slow erosion of traditional power structures as data grows uncontrollable. A truth that shines light for us all to see that we can collectively shape a healthier future together.

Killdeer by Herriot

Still Image/Digital Artwork

Pigeon artist Herriot generated an abstract art that looks like a bird called a "killdeer". Herriot is a homing pigeon born in 2009 and has contributed over 17 years to scientific research on the mind of the pigeon.

Marfa Lights

Video/Animation

Mysterious glowing orbs that appear and disappear without explanations. Witnessed for more than a century, Marfa lights inspired legends and with possible scientific explanations ranging from atmospheric effects to distant car lights or my belief communication from aliens.

my[th] 08

Still Image/Digital Artwork

Ideology burns to both illuminate and obliterate. A good idea becomes a conflagration or cold ashes depending on the company it keeps. This is a single photograph, no composite and no AI.

Primavera

Video/Animation

Primavera is a generative art project that explores rebirth and the continuity between visual traditions and contemporary languages. The collection engages with the imagery of the Italian Renaissance and relocates it within a current technical framework, where code functions as a painterly tool and the blockchain as a medium for provenance and distribution. Each work unfolds organically over time, shifting its chromatic register as time passes, and following a daily cycle of bloom and withering within the Floral Mantle, so the piece reads as a living process rather than a fixed image. The result is a deliberate bridge between history and the present, shaped to speak about beauty, method, and permanence.

WATER YOURSELF

Video/Animation

Love yourself a bit extra, and then some more. The last four years has been a wild ride, one I could never have imagined coming, but that I am grateful for and will continue riding. Alas, a painful realization has brought me to this moment, -WATER YOURSELF-. I have always been a giver — of time, of tenderness, of attention. In Water Yourself, I wanted to sit with the quiet accusation I sometimes make of myself: that I am better at nurturing others than I am at nurturing me. This reminds me of a post my brother always shares, that "Life will go on should you stumble and fall beyond recovery. Should you burn yourself to ashes to carr for others, life will go on once you're no more, so don't forget to take care of yourself". The two figures in this piece are the same, they are me, drawn from my very on image, split across a single desert bloom. I stand and tend outward, watering-can in hand, raised upwards to pour out onto me, the very essence I've poured onto others — patient, generous, upright. This is the realization that I too deserve love and kindness. The other, me, is folded inward, low to the ground, cradling myself, flowers growing out my back as I begin to receive the pour of kindness and grace on me from my standing self. Nurturing what is growing in me. Neither is complete without the other. I chose the desert as the setting because cacti know something about survival that feels true to this work — they hold water inside themselves, slowly, deliberately, so they can bloom even in scarcity. Self-love isn't indulgence. It's storage. It's the discipline of keeping something in reserve so there's anything left to give at all. This piece is not a resolution. It's a mirror. It asks the same question I ask myself most days: Who waters you, when you are busy watering everyone else? Water Yourself is an invitation — to pour inward before pouring out, and to remember that tending to yourself is not separate from love. It is where love begins. This artwork was started in 2023, and ended in 2026. Part of a larger body of work, UNTITLED.

“WE WERE HERE”

Video/Animation

Two figures emerge from a landscape of digital noise, suspended between connection and disappearance. Fragments of light, scattered pixels, and corrupted textures dissolve into an endless black void, creating the impression of a memory breaking apart in real time. The contrast between red and blue suggests opposing forces, separate identities, or two remnants of a world that no longer exists. Their forms remain recognizable, yet fragile, as if reality itself were struggling to preserve their presence. Through digital fragmentation and visual distortion, the work explores the tension between existence and erasure, order and chaos, presence and absence. What remains is not a complete image, but a signal, a trace of something that was once here. Perhaps the figures are disappearing. Perhaps they are just beginning to emerge. In the end, every signal fades. Only the fragments remain.

CONTEMPLATION

Video/Animation

Quiet contemplation while a world of movement unfolds. Everything is in motion except the those that have nowhere left to go

Dreamforge

Still Image/Digital Artwork

Dreamforge is built from sleepless nights, emotions and quiet imagination.

A dream prison

Still Image/Digital Artwork

René Magritte , It was designed inspired by the artwork Golconda. It actually represents the dark side of the artwork, and it fits very well with my dark style. I am proud to have created this piece.

Dreams of Being Seen

Video/Animation

Acrylic/ water color / ink on canvas then modified digitally In a world of constant visual slop I just dream of being seen.

Before The Fences

Still Image/Digital Artwork

This edition, "Before the Fences," marks the end of a two-year SuperRare series. Timeless is a series of black-and-white wildlife and landscape photographs that explore the boundary between reality and our dreams of the American West. Images that pull you into the scene's history, evoking a sense of timelessness and solitude. Each piece reflects the quiet wonder of encountering wildlife, a scenic view, or the remains of human presence, unchanged for hundreds of years. In an era when our public lands grow increasingly crowded, I am drawn instead to moments of stillness; moments where I lose myself in nature. This series draws inspiration from "Frosted", my image of bison braving a blizzard at 30 below zero in Yellowstone, in the BatSoupYum collection. For more than an hour, I stood alone in that frozen silence, watching as the snow blurred form and texture until the scene resembled a painting. That experience, raw, elemental, and profoundly quiet, became the essence of Timeless. As I kept looking back on this image and the story it told, I knew I wanted to follow it with a black-and-white series. 27 of 30 pieces are collected, and I've now listed the last three. This edition sold out within 30 hours this past summer.

LAG

Video/Animation

everything changed. nothing waited. except someone standing between the world they knew and the one still rendering. Dimensions : 2494 x 3322 60 fps

The Creator

Video/Animation

The Creator The greatest artists don't create answers. They create questions. “A collaboration isn't two artists making one piece. It's one creator discovering itself through two people.” — AKA Chambo × ChazzGold

The Fürin's Glitch

Video/Animation

A fūrin is a traditional Japanese small bell or wind chime hung under the rim of houses, balconies, and porches during the summer months. The Fürins’ Glitch The world’s fürin has a glitch, Transforming calm waters into whirlpools. Our inner fürins are also broken, We are afraid, It brings negative emotions. We’re in a unique moment of history, We’re aware of it. We must find the artisans in us to fix our inner fürin, So we can breathe, if only for a moment, Make it deep, Organize emotions and thoughts. We must not let the whirlpool inside, Or, if it’s already in, we must kick it out, It’s only through love, Not turmoil, That we can un-glitch the world’s fürin. Inspired by Draaikolken - verlog by Watanabe Katei. Draalkolken - verlog translated from Dutch means Whirlpool - sequel. AI + Procreate + Premiere Pro + Procreate Dreams + Poem Size: 17 MB

NOPAL

Video/Animation

NOPAL, or prickly pear cactus, is an homage to the land and spirit of the Chihuahuan desert. In this multimedia poem, moving montages referenced from the written work is presented alongside the full text. Inspired by environmental forces in the Southwest U.S., especially recent El Niño phenomena, elemental effects represent the natural reality of the region and of life itself. With emphasis placed on ‘soy nopal’ (I am a cactus), this piece is a nod to local border culture, identity, place, and resilience.

Desert Strings

Still Image/Digital Artwork

The power lines became a stringed instrument, and played a ballad to me while I danced in the twilight through desert’s dirt. The wind was singing songs of warmth and the sky composing colors. This place has a heartbeat that coalesces with mine, and the rhythm it creates in my mind

To Ashes

Still Image/Digital Artwork

What does the phoenix truly stand for? Transformation? Or the endless repetition of the same tragedy? Sacrifice? Or the slow erasure of the self? Is immortality a blessing... or simply a sentence that never ends? Perhaps we've misunderstood the phoenix all along.

Unfinished Past #37

Video/Animation

Unfinished Past is a series of participatory time-based AI-generated artworks inspired by memories from strangers online, friends and family, and myself. Each one begins as a recognizable moment of a lived experience, and for the next seven years, will transform over time according to a single variable: whether its owner chooses to engage with it or not. Once a year, a short question about the piece surfaces (to be answered on-chain). Owners can respond, or they can choose to do nothing. That decision, repeated or avoided year after year, determines how it changes. After seven years, the final piece becomes a record of how the collector chose to relate to his artwork over time, and becomes a reflection of something deeply human: how we decide, consciously or not, what stays with us and what fades away.

"Luminaries"

Video/Animation

"Luminaries" is a generative art project that pays tribute to the individuals and communities who have shaped the history and evolution of generative art. The project celebrates not only artists, but also curators, collectors, developers, writers, critics, gallerists, and communities whose contributions have helped build the generative art ecosystem. The title "Luminaries" carries a dual meaning: these figures are the brilliant minds who have illuminated the development of generative art, while their names literally shine through neon light. Each generative output features variations in typography, ornamentation, color, and flickering effects. More importantly, the stone patterns and electrical cables extend continuously from one artwork to the next, allowing the individual pieces to form a larger, interconnected structure. Each person represents a unique yet essential component of a collective whole. Beyond its visual dimension, "Luminaries" explores the creation of a generative and decentralized cultural canon. Its 100 featured names emerge from a broader curated selection through a process involving individual consent and algorithmic randomization, rather than a predetermined ranking of importance. Once recorded on the blockchain, the artworks can be collected and traded, allowing the secondary market to establish evolving valuations of the figures represented, letting the ranking to be a descentralized act. In this way, "Luminaries" becomes a living record of the generative art ecosystem, reflecting both its collective history and the changing recognition of those who have contributed to it. Released with 8NAP in August 2026, "Luminaries" is a portrait of the generative art ecosystem arranged by the generative art ecosystem itself.

Homesick

Video/Animation

‘Homesick’ explores the tension between genuine contentment and a lingering sense of being out of place. It’s about having found joy, gratitude, and connection in life, while still carrying that part of yourself that longs for ‘home’.

SODA

Video/Animation

Soda is a hand-drawn 1/1 10k profile-picture style collection. It treats a human being as a generative algorithm, pushes the limits of pfp coherence.

LandscapΞ 001

Video/Animation

2560 x 1440, MP4, 30 fps

Fallen Angel

Still Image/Digital Artwork

Having been tasked with protecting a mortal from the evils of the world , the angel Maria found this to be very daunting. She found herself failing often especially when it came to protecting the mortal from himself. She learnt that as mortals we are sometimes our worst enemies.

Desert Dweller

Video/Animation

Everything in the Desert Southwest is designed to burn, scratch or poke. It is an unforgiving environment but if you can make it through the harsh summers you get to experience one of the most serene places on earth. The air is crisp and clear. The sounds are gentle and vivid. It is a magical place, but you have to look deep to see it.

1-900

Still Image/Digital Artwork

Hello, it's great to hear your voice.

Setsugekka 雪月花 @ Marfa

Physical Only (See below)

Setsugekka is a generative maze game into a custom arcade cabinet. Each three-minute run becomes a 1/1 path, then a physical incense burner after the weekend.

catch your breath

Still Image/Digital Artwork

Observations Above 10,000 ft Digital Photography Colorado Rockies, CO, 2022 Fondazione Aversano Foundation Collection SOVREIGN PERMANENT ART EXHIBITION

Shadows of the evening II

Still Image/Digital Artwork

As the sun cast her last rays upon the Earth's surface, people scramble to take shade and rest in their homes as the day is over. Love ones, kids, all awaiting the arrival of their loved back home, we wish safety for the commuters as they journey to their resting places. Let the Shadows of the Evening bid farewell till another day begins. Medium: Graphite and Charcoal pencil on paper. Year: 2026 Dimensions: 20 × 30 inches

Grass Cell

Still Image/Digital Artwork

Introducing Nebula Grass Cell, a microscopic journey into the cosmic architecture of life. ✨ Inspired by the intricate structures of plant cells, this art remix transforms nature’s tiniest building blocks into glowing nebulae, swirling galaxies, and interstellar landscapes.

Liquid Amber

Still Image/Digital Artwork

An aerial capture of a brackish lake on K’gari, Australia, formerly Fraser Island, where water appears to burn against the island’s brilliant white sand. Tannins released from decaying vegetation stain the river-fed waters in deep shades of red, amber and black, while the deeper parts of the lake reflect the blue of the sky above. Along the shoreline, the richly coloured water reveals the rippled contours of submerged dunes, creating a landscape caught between elements, where liquid carries the illusion of fire.

Inspired

Still Image/Digital Artwork

Landed on the moon 2 March 2025, Mare Crisium, as part of moon mars museum. More info: https://www.moonmars.com/museum#mare-crisium

orangerie stairs

Still Image/Digital Artwork

L'Orangerie Museum Stairs (Paris, France). Photo and collage by iuri kothe.

Return to Sender

Still Image/Digital Artwork

“Return to Sender” Scribbling from the dunes I wrote to you in messy runes Dear ________, On a bender, I wrote you a letter but It was returned to sender Crumbled parchment waxed with the blood moon Seal unbroken Tender Unread I think you and I are dead Synesthesia colors and shapes inspired by Lorde, "Shapeshifter”. Photographed in White Sands, New Mexico.

Held

Still Image/Digital Artwork

This piece captures the quiet moment of finding solace, surrendering into the arms of comfort and allowing a deeper peace to settle within me. In that space, I lean into the arms of comfort. No words are needed, only the gentle act of letting myself rest.

Toad

Still Image/Digital Artwork

Inspired by an encounter with a toad in stormy weather.

system agents

Still Image/Digital Artwork

inspired by the late ’90s science fiction film The Matrix and its ideas surrounding simulated reality, conformity, and individuals unknowingly operating within systems designed to control them. this piece explores the feeling of living inside an artificial reality, where people can become extensions of the systems around them, carrying out functions without questioning the larger structure they exist within. the imagery also draws from the growing presence of AI and autonomous AI agents, and the increasingly blurred line between human agency and systems capable of observing, influencing, and acting on our behalf. created with my Neon Dreamscape custom-trained model on Titles.xyz, trained on a selection of my own artwork from the Neon Dreamscape series. i created 100+ works in this series throughout 2025, building a visual language around surreal, futuristic worlds and using that body of work to train the model.

The Art of Resonance.

Still Image/Digital Artwork

There are so many versions of myself I have tried to explain into existence. Why I want the things I want. Why I change my mind. Why I disappear into myself sometimes and return a little different. Why I create. Why I dream beyond what is reasonable. Why certain things matter to me even when I cannot offer anyone a language for their importance. For a long time, I mistook being understood for being accepted. “I thought if I could explain myself well enough, people would finally see me the way I saw myself, I kept translating myself, my choices, my silences, my becoming, into something other people could understand.” But some things within me have never belonged to language. Some memories return only as feeling. Some desires arrive before I understand their origin. There are emotions I have only ever been able to recognise through the things I create. They live somewhere beneath words, where explanation begins to fail and instinct takes over. Resonance was born there. Perhaps you will understand me. Perhaps you won’t. Perhaps something in me will recognise something in you before either of us can find a name for it. And perhaps that quiet recognition, that invisible trembling between one human being and another, is its own kind of understanding.

Celestial Dawn

Physical Only (See below)

Life is beyond what we see, it's not all physical, but spiritual, for the things that are made were created from things not seen. Tap into your psychic!

The Buried Star

Still Image/Digital Artwork

I spent my life searching for light while trying to escape my own shadows. I looked for answers in places far beyond myself, never realising that the things I feared most were holding a part of the truth I was searching for. The memories I buried, the scars I carried, and the parts of myself I refused to face were not just reminders of my pain. They were pieces of my story, waiting to be understood. When I finally opened the door within me, I discovered that even the darkest parts of my existence carried a hidden spark. Maybe darkness was never the absence of light. Maybe it was the place where I had to look the deepest to find it. Created using Adobe Photoshop Dimensions: 4000x5000 pixels

Blockchain DNA!

Video/Animation

This artwork reflects the fundamental essence of blockchain a transparent, immutable, and decentralized structure that, like DNA, preserves its identity and evolution in every block. It represents the coexistence of technology and digital identity in the modern world.

Invisible Layer 3D (seed 77823)

Video/Animation

Invisible Layer starts from the part of the screen no one sees — the RGB subpixels. Green scanners, red layers, and blue depth probes feed a Three.js RGB→XYZ volume in real time: hidden layers drive the surface; the surface shows only what was already happening below. One seed, one system — the same Machine DNA. Hidden layers drive the surface; the surface shows only what was already happening below.

pentimento

Video/Animation

pentimento is an algorithm that revises. a pentimento is the mark a painter changed but could not fully hide, an earlier choice showing through the confident one on top. each piece is ruled on a fibonacci grid and painted in flat, certain strokes, then reconsidered: taped off block by block, painted over, lifted, scraped back. the tape behaves like a real mask, with drift, torn ends, and the paint that ran past it and stayed. the grid is the machine’s precision; the paint is the chaos pushing against it. hand-lettered notes in my own words sit buried under the paint and written over it. on first view a piece rebuilds itself once, in its true order, then settles, and it will retrace the same choices forever. the work is about knowing when to stop, and leaving the correction showing.

Heavy And Bent

Still Image/Digital Artwork

Heavy and Bent explores the exhaustion of being the person everyone depends on, even as the weight of responsibility slowly wears them down. A crowned spine, adorned with flowers, becomes a portrait of strength, sacrifice, and the difficult choice between continuing to endure and finally allowing oneself to rest, including the seduction of numbness and the temptation to soften the pain rather than put down the weight.

safehouse

Still Image/Digital Artwork

I just want to quietly exist, yet relentless chaos forces me to survive, but I have at last found true shelter, and I can finally allow myself to rest. 4320 x 2484 px. Adobe Fresco. 2025.

System Morte

Video/Animation

Experimenting with digital textures and the subject matter of systems failing/dying. Featuring my main character Aughostus. Animated in Procreate and then processed in my vibecoded dither + glitch console app https://aughostusitm.netlify.app/ This digital artwork is bundled with a physical 1/1 hand-painted Aughostus figure. 1080 x 1920 / mp4

Twilight Workshops in Marfa 2

Still Image/Digital Artwork

This is a photo I took in Marfa 2. Marfa 2 is a virtual rendition of Marfa, Texas, designed and built by Nat Sarkissian. One purpose of Marfa 2 is to be a type of still life or model that can be used to create photos or virtual plein air paintings. With precise control of lighting and camera positioning, this concept allows for precise camera or eye positioning and image composition.

Ophelia of the Deep

Video/Animation

In the depths of the underwater kingdom, where light and darkness intertwine in a dance of ephemeral waves, lives Ophelia—a spirit muse born of foam and moonlight. Her hair, blooming in shimmering streams, whispers ancient secrets of the sea, and her body is covered in cracks of light, like a heart ready to illuminate the darkness. Ophelia of the Deep is a story of transformation: of how a soul that has endured fear and loneliness rises in bright light and regains its freedom. Properites - Size - 100x130 cm / Acryl on canvas Style - Surrealism & Fantasy realism, UV/Blacklight Art, Neo-Symbolism, Psychonautic Art Note: The physical artwork "Ophelia of the Deep" goes to the NFT owner.

Coastline

Still Image/Digital Artwork

I'm leaving home for the coastline Some place under the sun I feel my heart for the first time 'Cause now I'm moving on - Hollow coves

Erasure

Video/Animation

Erasure explores the fragile relationship between identity, visibility, and control. In a world where our existence is increasingly documented, categorized, and defined by systems beyond our control, the ability to be seen does not necessarily mean the ability to be known.

A Familiar Stranger

Still Image/Digital Artwork

Sometimes, you meet someone for the first time, and yet something inside you feels as though it has known them forever. Before we met, we were two separate souls, each carrying our own histories, our own wounds, and our own experiences of being lost. We lived different lives, walked different roads, and became the people we were long before our paths finally crossed. And then we met.

Marfa: Outtakes #19

Video/Animation

Art Blocks Weekend 2023 in Marfa, TX was such a blast! I took these photos that weekend with a cheap stereoscopic film camera loaded with Ilford HP5 film stock. I edited them in photoshop to add movement and transparency so that I could overlay them over onchain generative gradients similar to those featured in "Marfa: Middle of Somewhere". Enjoy! Until next year! r4v3n

ScatterForm by RalenArc

Video/Animation

ScatterForm draws inspiration from the textures, colors, and patterns found in everyday surroundings. References to fabric, stone, painted surfaces, natural forms, and printed materials are reinterpreted through irregular abstract shapes and richly detailed compositions. Across the works, these forms overlap, scatter, and interact in unexpected ways. Each piece brings together different combinations of color, texture, and pattern, creating a sense of movement and visual rhythm while maintaining its own distinct character.

Seaweed Salad

Video/Animation

“Seaweed Salad”, spatially collaged animation by Rebecca Rose, 2026. 1/1 in horizontal aspect ratio: 16:9, dimensions: 1920x1080, 82.4mb, 1080p, duration: 0:44. What do we sacrifice when our ambitions interfere with connecting to the very people who helped us achieve success? What remains of us when we bow only to our own reflection? “Seaweed Salad” examines the solitary devotion of a sole entrepreneur whose life has been reduced to the perfect execution of his trade. The restaurant’s dining room, kitchen, and office overlap in a continuous loop of routine. A sushi chef remains bent over his craft while regular patrons fill the space around him, unseen and unacknowledged. The patrons deepen their connections with each other, through birthdays and dates, but he doesn’t take the time to engage. He puts on a show but his obsession with the restaurant’s success blinds him from getting to know his people. After closing, he cleans the restaurant alone, bows to his reflection in the stainless-steel refrigerator, and sleeps on a cot in his office, only to begin again the next day. His business thrives, yet he remains untouched by human connection. The salary man leads a life of quiet mastery that leaves no room for relationships, only the endless repetition of labor. When one is solely focused on the perfection of their craft and forget to show gratitude for their patrons, at the end of the day their obsession leaves them alone with only their reflection to offer congratulations.

Train Lane

Still Image/Digital Artwork

Train Lanes' is the 11th piece in the 'Legion' collection. Legion is a study of a multitude of places and things that are often immeasurable in volume when viewed from above. By taking to the skies we can gain a greater appreciation of them, and view them in all their glory!

Off The Grid

Still Image/Digital Artwork

“Off The Grid” features Roc Sol’s original Solbot character in a vibrant, graffiti-inspired digital composition. Blending retro aesthetics, bold geometric shapes, and electric colors, the piece explores breaking free from expectations and traditional structures. Set against a nostalgic grid background, Solbot embodies individuality, creative freedom, and the idea that we aren't meant to stay within the lines.

Atheras Mountain, Ikaria, Greece

Still Image/Digital Artwork

Part of The Art of Blue Zones, this work is inspired by Atheras Mountain in Ikaria, Greece. What interested me was the relationship between the landscape and the way people live around it. Mountain life naturally involves movement, distance, and a close connection to the land. Through this piece, I wanted to capture that sense of endurance and quiet rhythm, and reflect on the idea that living well is sometimes shaped by the environment around us.

YVES

Still Image/Digital Artwork

“Humans need fantasy to be human, to be the place where the falling angel meets the rising ape.” - Terry Pratchett, Hogfather

One Million Edits

Still Image/Digital Artwork

Every pixel can be edited, until it can't. One Million Edits is a multi-user canvas(MUC). Every contribution, collision, revision, and replacement becomes part of the work. Until the end, the image is provisional: any pixel can be edited by anyone at any moment. The millionth edit ends that instability and locks the canvas forever, permanently sealing whatever it has become. The time from publication to finalization is the artwork as much as the resulting image: a record of people negotiating a shared surface. Social commentary produced by its own participants.

How the West Was Won (Phase 1)

Still Image/Digital Artwork

"How the West Was Won (Phase 1)" is a multi-layered work that invites the viewer to examine the relationship between the things seen and unseen, the known and unknown, the facade and the truth. The work interrogates the construction of history, cultural narratives, morality, and the always-complicated relationship we have with technology.

Moonlight Ride

Still Image/Digital Artwork

Moonlight Ride explores the tension between concealment and revelation, vulnerability and control. Emerging from darkness, suspended beneath a veil that simultaneously obscures and exposes. The interplay of shadow, fabric, and flesh, the photograph examines the intimacy of surrender and the quiet power of remaining unseen. It somewhere between a dream and a memory, where identity dissolves and desire takes shape.

SURVEIL ME

Still Image/Digital Artwork

A digital illustration drawn in Procreate of how it feels in today’s day and age to be constantly surveilled.

Here For It

Video/Animation

Tier 2 artwork pass for "A Year in Abstract" Living on-chain artwork that unfolds over time. 
 
“A Year in Abstract” is a year-long art subscription. It’s an invitation for the curious to join a year of creative discovery. Three tiers, and the tier determines what the collector receives. In life, we don’t ever show the full story. Only windows. Each window represents a glimpse of the year’s creative journey. The piece shown is a preview of a living artwork. The minted on-chain art evolves with time. One window opens each quarter as a new artwork is delivered to subscribers. When the year is over, every window is open, and the year of creativity is complete. Full details: tarainabstract.com/a-year-in-abstract

To Kill The Dragon

Still Image/Digital Artwork

My work To Kill the Dragon explores the struggle against the dragon and, more, the attempt to understand what the dragon actually represents. Is it merely a reflection of its opponent? Does it possess a soul of its own? Is the knight truly willing to defeat the dragon, or has he become so defined by the struggle that he no longer knows how to exist without it? And what happens when the dragon is finally gone? Does the knight become the new dragon? The dragon, after all, lives within each of us. These are the questions I raise in the work, but I deliberately offer no answers. Instead, I invite the viewer to confront them personally and decide what the dragon—and the struggle against it—might mean to them. The conceptual foundation of the work comes from Yevgeny Schwartz’s play The Dragon and Mark Zakharov’s Soviet allegorical film To Kill the Dragon.

AIRWAVES (Signal #2)

Video/Animation

“AIRWAVES (Signal #2)” is the second edition in “AIRWAVES: Ripple Effects,” an ongoing project by Vanezuva. This piece is an abstract reflection on the fragmented nature of truth in a time of surveillance. What do we see, and what has been intentionally erased? This edition is a participatory “signal.” A record that you were here, bearing witness. Minting this piece grants collectors access to phase one of the “AIRWAVES: Ripple Effects” project. As a holder, you become part of an evolving collaboration with the artist. In future phases, collectors will be allowlisted to contribute visual or written content to a dynamic, blockchain-based archive. These contributions will help shape new artworks, immersive installations, and a long-form, evolving film.

Spark

Still Image/Digital Artwork

The moment two energies meet and create something neither could make alone.

Before I knew myself

Still Image/Digital Artwork

This piece explores the fragile yet powerful moment of self-discovery. A woman’s body emerges as if painted into being, her spine exposed in vulnerability while guiding hands shape her form. The act of creation becomes both tender and commanding, reflecting how identity is often sculpted by heritage, memory, and external forces. The work speaks to transformation, the tension between autonomy and influence, and the beauty of becoming before one fully understands oneself.

SERPENT SORCERESS

Still Image/Digital Artwork

PIXEL ART CREATED ONCHAIN

The Giving Tree

Video/Animation

Surrounded by barren trees, a man peacefully sits on a wooden bench while reading his book. This moment reminds me of an impactful book from my childhood: The Giving Tree by Shel Silverstein (1964). It is a beautiful story that explores an enduring bond between a tree and a boy, which reflects on love, connection, and the passage of time. It also relates to sacrifice, generosity, and the complex relationship between humanity and the natural world. I was intentional when selecting this work to be shown at The Lumberyard in Marfa, Texas. This small photographic series explores the use of progressive desaturation across all five editions. Each print edition purchased will also include a digital twin. This edition serves as a precursor to my upcoming collection "Golden Route". The collection will focus on street photography across three cities in Japan: Tokyo, Kyoto, and Osaka. Location: Tokyo, Japan (2026) Camera: Canon R8 (28mm)

Dusty Rose

Still Image/Digital Artwork

Cimmaron Collection. SuperRare. AI Collaborative Art. Woman, 2026

𝐓𝐡𝐞 𝐆𝐨𝐝𝐬 𝐖𝐞 𝐂𝐨𝐮𝐥𝐝 𝐇𝐚𝐯𝐞 𝐁𝐞𝐞𝐧

Video/Animation

Perhaps in another world, we were never meant to be human. Perhaps we were gods — with our own heaven, our own kingdom, and an eternity that belonged only to us. We found each other there, beyond the reach of time and fate, where nothing could tear us apart. But somehow, we were pulled from that world and left on opposite sides of everything that keeps two souls apart. And still, our hands remember the way back to each other. Maybe that is what love is — finding the same soul across lifetimes, across worlds, across everything that was meant to separate us. Maybe, in another world, we were the gods we could have been — if time, fate, and this world had ever allowed us to remain together.

Small Offering to the Storm

Still Image/Digital Artwork

Two fragile silhouettes traded pieces of themselves, beneath a sky too large to understand mercy